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Showing posts with label theology. Show all posts
Showing posts with label theology. Show all posts

Friday, September 20, 2013

At Faith and Theology.   I've never heard of Gustaf Aulén, but apparently his "Christus Victor, first published in 1931, has influenced the way generations of students think about Christ's death."  The blogger, Ben Myers, offers, instead, "six themes in patristic literature" as alternatives. 

I like all of them!  Especially the thing in #5 that proposes that "by entering into death, [Christ] absorbs death into the divine life, thus draining away death's power; and by rising again, he transforms corruptible human nature into a glorious incorruptible nature."   That's fantastic!  And also, of course, #6, "Christ the Healer"; that one has always been supreme, for me.
 
1. Christ the Second Adam. A major theme most powerfully developed by Irenaeus in his account of recapitulation. Christ restarts the human race from the beginning and sets it on a course towards life. Christ replaces Adam as the new life-giving head of the human family. (Main scriptural source: Romans 5.)

2. Christ the Sacrifice. This is an important background theme that becomes explicit mainly in liturgical texts. Melito of Sardis' On Pascha provides the most vivid elaboration of sacrificial imagery, artfully interwoven with a plethora of other Old Testament themes and images. (Main scriptural source: the Pentateuch and the Gospel of John.)

3. Christ the Teacher. A characteristic theme of the Alexandrian tradition. Christ is the divine pedagogue who, by a slow and patient process, leads human souls up into the presence of divine wisdom. In some accounts this process extends into the afterlife. Clement of Alexandria developed this theme explicitly. The same theme supplies the basic architecture of Origen's thought. Many accounts of deification are really just elaborations of the end result of this educational process: life is a school, and deification is the graduation prize. (Main scriptural source: the four Gospels.)

4. Christ the Brother. The adoption theme is prevalent in early Christian writing. Christ becomes our brother. Through him we become members of God's family. What he is by nature, we become by grace. It is often in this context that language of deification is used: Christ is God by nature, and as his brothers and sisters we become gods by grace. Adoption language is especially pervasive in Origen. By the fourth and fifth centuries the emphasis tends to fall more on deification, but the deification theme should still be understood as a subset of either the adoption theme or the education theme (#3 above). (Main scriptural source: Romans 8.)

5. Christ the Life-giver. One finds this theme everywhere in early Christian liturgical and theological texts. It is developed with an impressive systematic rigour in the work of Athanasius. The divine Logos had to become incarnate in order to become capable of dying; by entering into death, he absorbs death into the divine life, thus draining away death's power; and by rising again, he transforms corruptible human nature into a glorious incorruptible nature. Here Christ's death and resurrection are equally emphasised as the two poles of the saving event. (Main scriptural source: 1 Corinthians 15.)

6. Christ the Healer. My impression is that this theme recurs more than any other soteriological theme in patristic writing, even though it is seldom developed in much detail. Very frequently Christ is described as a physician who cures our illness. Often he is also described as medicine. Gregory of Nazianzus speaks of the incarnation as a healing of human nature. Augustine is particularly fond of the healing theme, and it is a constant refrain in his sermons. He speaks of Adam as infecting the human race with the disease of pride, and of Christ's humility as the medicine that cures us. (Main scriptural source: the four Gospels.)


Comments: (a) Even from these summaries, one can see that these themes are normally found not as separate ideas but as closely interwoven motifs. (b) Note the pronounced tendency to speak of salvation in corporate terms. Christ achieves salvation not for individuals but for human nature, for humanity as a whole. Only in the third theme (teaching) is there a more individual emphasis, but even here patristic authors believe that the whole of humanity is enrolled in Christ's school. Saints and martyrs are in the PhD program; the wicked are in kindergarten. (c) Only in the second category (sacrifice) is there any exclusive fixation on Christ's death as a saving event. Much more characteristic of early Christian writing is a broad vision of Christ's life, death, descent into hell, and resurrection as the one great drama of salvation. Even the sacrificial imagery that dominated early Christian interpretations of the passover (e.g. Melito's On Pascha) was qualified when Origen (in his own On Pascha) argued that the passover is not a type of Christ's sacrificial death, but a type of the whole movement whereby Christ's death, descent, and resurrection leads the human race in exodus from death to life. (d) While scholars like N. T. Wright routinely criticise orthodox christology as a flattening out of the Gospel witness, with no serious attention given to Jesus' earthly ministry, one can see above that two of these major soteriological themes (#3 and #6) were primarily adapted from the Gospel accounts of Jesus' ministry. Very prominent in all four Gospels is the portrayal of Jesus as Teacher and Healer. Through a spiritual interpretation of the Gospels, these features of Jesus' life and ministry became fundamental patterns for describing Christ's saving work.

Thursday, May 16, 2013

A great post from catholicity and covenant today.  He's referring to the Church of Ireland here, but TEC has the same Daily Office reading today.  Sometimes Augustine's allegorical readings get on my nerves - but this one is fantastic!  
Today the CofI daily office lectionary NT reading for MP was the parable of the Good Samaritan.  It is appropriate, therefore, to revisit Augustine's Christological reading of the Good Samaritan, reminding us that the parable - rather than being a moralistic addendum - coheres with and flows from the Church's proclamation of the Cross and Resurrection:

A certain man went down from Jerusalem to Jericho; Adam himself is meant; Jerusalem is the heavenly city of peace, from whose blessedness Adam fell; Jericho means the moon, and signifies our mortality, because it is born, waxes, wanes, an dies. Thieves are the devil and his angels. Who stripped him, namely; of his immortality; and beat him, by persuading him to sin; and left him half-dead, because in so far as man can understand and know God, he lives, but in so far as he is wasted and oppressed by sin, he is dead; he is therefore called half-dead. The priest and the Levite who saw him and passed by, signify the priesthood and ministry of the Old Testament which could profit nothing for salvation. Samaritan means Guardian, and therefore the Lord Himself is signified by this name. The binding of the wounds is the restraint of sin. Oil is the comfort of good hope; wine the exhortation to work with fervent spirit. The beast is the flesh in which He deigned to come to us. The being set upon the beast is belief in the incarnation of Christ. The inn is the Church, where travelers returning to their heavenly country are refreshed after pilgrimage. The morrow is after the resurrection of the Lord. The two pence are either the two precepts of love, or the promise of this life and of that which is to come.

Monday, April 16, 2012

James Alison talks about Girard's reading of Scripture. I've bolded a couple of (what I think are) really important things below:

I guess that many of you shared the sort of excitement I felt when I first read “The woes against the Pharisees” in Things Hidden or any of the chapters in the second half of The Scapegoat. Or when I heard René explain “The woman taken in adultery” even before he had written it up in I saw Satan. It was and is the excitement of experiencing someone handling scripture in a way that none of us had ever seen or heard it handled before. It was not like the massively erudite deliverences of our Scripture professionals, which so often leave us impressed, or depressed, by their knowledge, but no more enflamed by, or loving of, the sacred pages themselves. On the contrary Girard’s readings don’t tell you much about Girard, nor stun you with his erudition. Rather he seems to be reading Scripture from within a logic that is proper to Scripture itself, as though the same spirit which had enabled Scripture to be written was enabling it to be read, so that you, the reader, end up seeing more and more in Scripture than what Girard points out himself, and you find yourself loving and treasuring the Scriptures even more. You get the sense that you are, at last, beginning to understand the text “from the inside”.

It is because of this that I wanted to start with something which seemingly has little to do with any “Girardian themes” in Scripture. And yet which is vital if we are to avoid bibliolatry. That is, to recall the sense, from which I hope we all learn, of someone who simultaneously takes texts extremely seriously, and yet not seriously at all. Girard really looks in a very detailed way at what particular texts say, and then appears to throw them all up in the air so that the textual elements come down any which way, but “any which way” turns out to be extraordinarily powerful, coherent and whole. It is having seen Girard do this, time after time, that I have begun to get a sense of Jesus doing the same thing, time after time in the Gospels. In other words, what Girard does with texts is in itself an education in the art of “doing things with texts” which is what we see Jesus do in the New Testament. When we can glimpse that this is what is going on, so many of the apparently arcane arguments set in an ancient world suddenly become alive and contemporary.

Now there is something consistent which has enabled Girard to read texts in this way. It is not simply an adorable personal quirk of his. And it is something which can consistently help us avoid bibliolatry. It is the realisation that the centre of meaning is not to be found in the texts themselves. The centre of meaning is real, historical, non-textual, or not primarily textual, and the texts themselves are certain sorts of monuments to this real, historical, pre-textual reality. At Hiroshima and Nagasaki, so intense were the explosions that the light from them etched what look like photographs of buildings and protrusions on the walls of other buildings. Each one of those light-etched walls is a monument to the unimaginable, and unsurviveable reality of the explosion, some hints of whose force can be read off from its monuments. And for Girard the centre of meaning, the unimaginable explosion, is a highly agile and dynamic centre in which two apparently opposed things are happening at the same time.

The first of these is entirely offstage and entirely beyond any sort of direct knowledge of ours, only detectable in the traces thrown up against some textual walls (and just conceivably, some cave walls, as at Çatalhöyük). This is the postulate of the founding murder, a dynamic postulate which suggests that, however it happened, over whatever huge length of time it happened, the central building block which has enabled our human cultures to come to be and to survive at all is the all-against-one of collective lynching. All human cultural forms flow from this. Ancient mythical texts do not point to this in a simple affirmative way. On the contrary, they dance round it, mostly hiding it, occasionally glimpsing it, sometimes horrified by what they see, sometimes complacently satisfied with the order which has resulted. The point is not “if you read ancient texts you will see that Girard is right”. Because of course, if you want you can read anything at all into ancient texts. The point is this: if you accept Girard’s postulate, you will find that the ancient texts make much more sense than they have before, in a way which is much more worthy of respect than we are inclined to acknowledge, and that there was and is a certain rationale in what we call the “primitive” mind which, while we cannot go along with it, is not at all stupid, and is a serious part of what has enabled our own ways of being and living together to survive and thus of what has allowed us to exist as we do now.

The second part of this unimaginable explosion is also prior to any text, but it has been reaching into our foreground and into our texts in a strange and unique way through the adventure of the Hebrew people, culminating in the making explicit, public, evident and frontstage of something which had been structuring and running people without their being aware of it up until then. The apparently necessary lie by which we bring into being and maintain order, culture, language, memory, thus finding ourselves established as humans, is shown to be exactly that – a lie. So the offstage structuring reality is gradually over time brought closer and closer to the surface, less and less dishonestly, in the interpretations which we glimpse in the Hebrew Scriptures, until finally that offstage structuring reality is brought centre-stage and made completely visible and obvious in the Passion. Thus the lie is undone, and we find ourselves embarked on the possibility of humanity becoming something much better, more interesting, more responsible than we had imagined, and simultaneously we start to discover how very much more dangerous to each other we can be than we had thought, and how much more precarious is our stability, given that the comfort of “the old lie” only reassures for as long as we don’t know that it’s a lie.

....

....Girard offers us a centre of meaning that is both prior to history, yet historical, liturgical, and contemporary, it means that the whole question of the relation between the texts of the Hebrew Scriptures and those of the Apostolic Witness (or New Testament) comes into a much fresher light. Rather than seeing two juxtaposed histories, of which one is newer and the other older, it makes much more sense to see the Hebrew Scriptures as being a permanently contemporary vision of who we are, and the Apostolic Witness being the permanently actual interpretative key revealing what has really been going on all along as the Word comes into the world. In this sense, what Girard has given us is an extraordinary tool for breaking free of the twin temptations which have beset Christian reading of the Scriptures: – the Marcionite temptation of attributing to some other god all the really unpleasant and violent passages of the Old Testament, and the Fundamentalist temptation of applying the words “God” and “Lord” univocally across both Testaments. Nor is this a Christian temptation alone: the prophets Jeremiah and Ezekiel were wrestling with the same temptations close to six centuries before Christ, as are shown in their differing justifications for moving beyond the child sacrifice apparently enjoined in the book of Exodus.

Here's a fairly simple illustration of "mimetic theory" from another source:

Here’s a new word for you: hominization. It refers to the process of becoming human and is part of the language of cultural anthropology and archaeology. One of the 20th century giants of this world is Rene Girard, a French thinker and devout Roman Catholic who has contributed numerous books and articles to a wide range of disciplines: history, philosophy, literary criticism, critical theory, anthropology, theology, psychology, mythology, sociology, economics and cultural studies. Girard received his Ph.D. in history from Indiana University and has lived and taught for most of his life in America.

What makes him fun is that while he combines a “deconstructionist” and “debunking” analysis of the origins and bases of human culture he uses it to affirm his Catholic faith and Christianity. Most in academia would belong to a secular or atheist bent but Girard is unapologetically Catholic. His thought, while at times complex and demanding is rooted in a simple phenomena called mimesis, the imitation or representation of aspects of the sensible world, especially human actions, in literature and art. Brian MacDonald, whose interview with Girard is here, gives this explanation of Girard’s thought in his introduction:

“Picture two young children playing happily on their porch, a pile of toys beside them. The older child pulls a G.I. Joe from the pile and immediately, his younger brother cries out, “No, my toy,” pushes him out of the way, and grabs it. The older child, who was not very interested in the toy when he picked it up, now conceives a passionate need for it and attempts to wrest it back. Soon a full fight ensues, with the toy forgotten and the two boys busy pummeling each other.

As the fight intensifies, the overweight child next door wanders into their yard and comes up to them, looking for someone to play with. At that point, one of the two rivals looks up and says, “Oh, there’s old fat butt!” “Yeah,” says his brother. “Big fat butt!” The two, having forgotten the toy, now forget their fight and run the child back home. Harmony has been restored between the two brothers, though the neighbor is now indoors crying.”

McDonald continues: “It would not be much of an exaggeration to say that Girard builds his whole theory of human nature and human culture through a close analysis of the dynamics operating in this story. Most human desires are not “original” or spontaneous, he argues, but are created by imitating another whom he calls the “model.” When the model claims an object, that tells another that it is desirable — and that he must have it instead of him. Girard calls this “mimetic” (or imitative) desire. In the subsequent rivalry, the two parties will come to forget the object and will come to desire the conflict for itself. Harmony will only be restored if the conflicting parties can vent their anger on a common enemy or ‘scapegoat.’…Girard shows, throughout the body of his work, how his theory of “mimetic” desire can illuminate and unify an extraordinarily disparate set of human phenomena. It can explain everything from sacrifice to conflict, from mythology to Christianity.

The point here, at least for me, is NOT (necessarily) that Girard's "mimetic theory" is correct (although I have to say it sure looks right, from the last illustration!). The main point is simply that we can dispense with all sorts of problems of communication in post-Christendom if we can show that Christian faith has something to do with the way human beings actually are. We don't have to worry so much about "translations," or "exegesis," or the whole scholarly endeavor in the course of evangelism (although these will still be exceedingly helpful and in fact can be a fun and profitable exercise, even for layfolks like me - so don't go anywhere, scholars).

We can simply point to the facts of the world and of the human condition, and to Revelation as we understand it to speak to these facts. The Nicene Creed sets up the boundaries of this Revelation - but that's all it does (an important thing, no doubt!). This is not important by itself, but only how it affects how we ought to understand Revelation.

Tuesday, April 10, 2012

Elizaphanian: "Why is it a 'Good' Friday?"

Rev. Sam on a roll! Looks like he's writing for the local news organization, and well done on that....
Courier article

Why 'Good'? The simple answer is that the crucifixion of Jesus reveals the truth about the world – and the truth sets us free. I believe that what is Good about Good Friday is that on this day above all God is revealed as a God of love, that with this God there is no place for fear of punishment. There are lots of theories that Christians debate about how we are to understand this (it's technically called 'the Atonement') but I think CS Lewis put it best when he said: "We are told that Christ was killed for us, that His death has washed out our sins, and that by dying He disabled death itself. That is the formula. That is Christianity. That is what has to be believed. Any theories we build up as to how Christ's death did all this are, in my view, quite secondary: mere plans or diagrams to be left alone if they do not help us, and, even if they do help us, not to be confused with the thing itself... "

Good Friday is really the culmination of something that I have been trying to describe through my last half-dozen articles – it is the climax and inevitable conclusion of living in a Fallen world. That is, it is because of our sin and brokenness that someone who was innocent ends up getting lynched. What makes Jesus remarkable is that he recognises what is going on and doesn't fight back. He recognises that what keeps the fallen system ticking over is the process of praise and blame, judgement and condemnation. As an innocent man Jesus had every right to retaliate against those who were accusing him, those who were beating him and flogging him. But he didn't. Instead he forgave them. In other words, what Jesus was doing was breaking the cycle of violence and pointing out that we didn't have to keep trudging around that path.

Righteous violence, after all, is what put him on the cross. It was the certainty of being righteous that gave each group of accusers their justification for putting Jesus to death. Whether that be the Romans, the religious authorities, the crowd or even the friend who betrayed him, there was always some more or less expedient rationale that could be deployed to make sense of doing something wrong. That is still the world that we live in. In effect, what happens on the cross is that judgement itself is judged, condemnation itself is condemned. The cross is the declaration that God is not on the side of those doing the denouncing, rather God is the one who is being denounced, the one who has offended the political authorities and the religious authorities and disappointed the expectations of the crowd and his friends.

When Christians talk about the cross – which is so central to our faith – this is what we are conscious of. Our own failures and brokenness, all the ways in which we have fallen short of God's intentions for us. Yet the thing is – it is level ground at the foot of cross. That is, we are all in the same boat; as St Paul puts it, 'We are none of us righteous, no, not one'. To come to the foot of the cross is, for the Christian, simply to recognise our own fallen nature, to see the consequences of that fallen nature, but also to recognise that God has taken those consequences onto himself, and that if we acknowledge this truth and let go of the compulsions and fears that lead us to judge and condemn each other – then we need have no fear of condemnation and judgement ourselves. This is the secret at the heart of the Lord's Prayer: 'forgive us our sins, as we forgive those who sin against us'. We just stand at the foot of the cross, not asserting our own goodness, but recognising the fate of goodness in our Fallen world.

Of course, if this was the end of the story, it would mean that the fallen world was all that there is – and that really wouldn't be Good. But I don't want to spoil the end of the story for those who don't know it... I'll say something about that in my next article.
(Note the Girardian analysis slipped in there casually!)

Hopefully he'll update his blog so I can let everybody know how it all comes out....