Breviary Offices, from Lauds to Compline Inclusive (Society of St. Margaret, Boston)

This is a Google book I'm surprised I've never run across before.  Its full title is Breviary Offices, from Lauds to Compline Inclusive:  Translated and Arranged from the Sarum Book and Supplemented from Gallican and Monastic Uses. Printed for the Society of S. Margaret, Boston, U.S. (Google eBook). 

So, it's the St. Margaret Breviary, really - here's a link to the order's website - and apparently comes right from the Sarum Breviary (although with some differences, I'd imagine).  This edition is from 1885.

[EDIT:  Michael, in comments, notes that there's a separate book for Matins as well (which is oddly labeled "Catholic Church"!).  Also that the books are:

....*mostly* Sarum - at least in the Psalter and the Office of the Season. He does make use of some of the tridentine alterations, such as in the system of Mattins lessons. The Proper and Common of the Saints, however, is much more highly [neo?-]Gallican. He takes pains which later folks like G. H. Palmer do not to avoid any direct invocation of the saints. 

Thanks, Michael.]

The book's got a hyperlinked Table of Contents, and it seems to be complete, with the Psalter for the days of the week for all the offices, the Chapter for each office, the Collects, the Antiphons, and everything for all the Feast Days, both major and minor.  No music, though.

A good find!

Choir Books, at the Biblioteca Nacional de España

Here's something interesting from a page at the National Library of Spain (Spanish language page here); a Chantblog reader just pointed it out to me:

Choir books

The collection of choir books belonging to the Biblioteca Nacional de España, which originated in large from the ecclesiastical confiscations of the 19th century, comprises almost one hundred liturgical books which came from a number of ecclesiastical centres and are now held in our library.

These lectern books provide key testimony to the tradition of Gregorian chant in Spain. It is very different from any other cathedral or monasterial a collection as its features are heterogeneous, both in terms of origin and format. This collection contains a wide codicological and melodic representation of the copious production of choir books over the centuries, which is of great interest both to musicologists and Gregorian experts and for philologists and scholars of ancient Spanish books.

All of this reveals the need to develop the current database to provide a solution and service to the various essential issues regarding cataloguing and research. On the one hand, it will enable the Library to achieve a more detailed level of bibliographic description, in accordance with the peculiarities of this repertoire. And on the other, this systematisation and standardisation of all the aspects of the lectern books (missals, graduals, antiphonal books, etc.) should become a benchmark for the Spanish-speaking world and any institution with this singular kind of bibliographic collection.

There are two links on the page:  one that gives Access to the database; the other links to The music and musicology collection.  I believe that "the ecclesiastical confiscations of the 19th century" is a reference to this event described at Wikipedia:

The Ecclesiastical Confiscations of Mendizabal, Spanish: Desamortización Eclesiástica de Mendizábal, more often referred to simply as La Desamortización, encompasses a set of decrees from 1835–1837 that resulted in the expropriation, and privatisation, of monastic properties in Spain.

The legislation was promulgated by Juan Álvarez Mendizábal, who was briefly prime minister under Queen Isabel II of Spain. The aims of the legislation were varied. Some of its impulses were fostered by the anticlerical liberal factions engaged in a civil war with Carlist and other reactionary forces. The government wished to use the land to encourage the enterprises of small-land owning bourgeoisie, since much of the land was underused by languishing monastic orders. The government, which did not compensate the church for the properties, saw this as a source of income. Finally, wealthy noble and other families took advantage of the legislation to increase their holdings.

Ultimately, the desamortización led to the vacating of most of the ancient monasteries in Spain, which had been occupied by the various convent orders for centuries. Some of the expropriations were reversed in subsequent decades, as happened at Santo Domingo de Silos, but these re-establishments were relatively few. Some of the secularised monasteries are in a reasonably good state of preservation, for example theValldemossa Charterhouse, others are ruined, such as San Pedro de Arlanza.

Shades of Henry VIII; I didn't know about this.

The database, though, is very interesting.  Things are happening!

"The immense dignity conferred upon the human person...."

From David Bentley Hart's introduction to his Atheist Delusions: The Christian Revolution and Its Fashionable Enemies:

This book chiefly - or at least centrally - concerns the history of the early church, of roughly the first four or five centuries, and the story of how Christendom was born out of the culture of late antiquity.  My chief ambition in writing it is to call attention to the peculiar and radical nature of the new faith in that setting:  how enormous a transformation of thought, sensibility, culture, morality, and spiritual imagination Christianity constituted in the age of pagan Rome; the liberation it offered from fatalism, cosmic despair, and the terror of occult agencies; the immense dignity it conferred upon the human person; its subversion of the cruelest aspects of pagan society; its (alas, only partial) demystification of political power; its ability to create moral community where none had existed before; and its elevation of active charity above all other virtues.  Stated in its most elementary and most buoyantly positive form, my argument is, first of all, that among the many great transitions that have marked the evolution of Western civilization, whether convulsive or gradual, political or philosophical, social or scientific, material or spiritual, there has been only one - the triumph of Christianity - that can be called in the fullest sense a "revolution":  a truly massive and epochal revision of humanity's prevailing vision of reality, so pervasive in its influence and so vast in its consequences as actually to have created a new conception of the world, of history, of human nature, of time, and of the moral good.  To my mind, I should add, it was an event immeasurably more impressive in its cultural creativity and more ennobling in its moral power than any other movement of spirit, will, imagination, aspiration, or accomplishment in the history of the West.    And I am convinced that, given how radically at variance Christianity was with the culture it slowly and relentlessly displaced, its eventual victory was an event of such improbability as to strain the very limits of our understanding of historical causality.

Worship

From Evelyn Underhill's Worship, 1936:

The painted cave of those prehistoric worshippers of an unknown God who were "simple-minded enough to give of their best to the supra-sensible powers," the Pagan temple, the Christian cathedral, are all expressions of the same fundamental human need to incoporate, make visible, the spirit of worship; to lavish skill, labour, and wealth on this most apparently "useless" of all the activities of man. So, too, the ritual chant, with its accompaniment of ceremonial movement and manual acts, is found to exert a stablizing influence at every level of his religious life. And when this costly and explicit embodiment is lacking, or is rejected where once possessed, and the Godward life of the community is not given some sensible and institutional expression within the social complex, worship seldom develops its full richness and power. It remains thin, abstract, and notional: a tendency, an attitude, a general aspiration, moving alongside human life, rather than in it.

It is true that worship, when thus embodied, loses - or seems to lose - something of its purity; but only then can it take up and use man's various powers and capacities, turning the whole creature towards the Eternal, and thus entering the texture of his natural as well as his supernatural life. Certainly, it is here that we encounter the greatest of the dangers that accompany its long history; the danger that form will smother spirit, ritual action take the place of spontaneous prayer, the outward and visible sign obscure the inward grace. But the risk is one which man is bound to take. He is not "pure" spirit, and is not capable of "pure" spiritual acts. Even though in his worship he moves out towards absolutes, and in and through that worship absolutes are revealed to his soul, it is at his own peril that leaves the world of sense behind, in his approach to the God Who created and informs it. This humbling truth must govern all his responses to Reality.

"Memory and Hope"

From Stephen Gerth, in St. Mary the Virgin's The Angelus this week:

I've just discovered a book that I'm pretty sure would have influenced a lot of the thinking and writing I have done over the last decade or so if I had read it earlier. The book, Between Memory and Hope: Readings on the Liturgical Year (2000), was edited by Notre Dame Professor Maxwell Johnson. It is a collection of essays by fourteen liturgists and theologians from different denominations. Johnson takes his title from an essay in the book by the late Thomas Talley (1924-2005), who for many years was professor of liturgics at the General Theological Seminary. As Christians we live with the memory of Christ's saving work and the hope for Christ's coming at the end of time.

I bought the book because of a reference to one of those essays in another book, Johnson's and Paul Bradshaw's The Origins of Feast, Fasts and Seasons in Early Christianity (2011). The essay, "The Three Days and the Forty Days," was written by Patrick Regan who now teaches at the Pontifical Liturgical Institute in Rome. Between Memory and Hope arrived on Ash Wednesday. That title is itself a meditation, a proclamation, about the way we who believe in Jesus Christ are called to live.

So far, I have looked briefly at Regan's article-how to count the "Three Days" of the Easter or "Paschal" Triduum-the name, as well as the counting, are worth reviewing at another time; and I have also read Johnson's introduction. He writes about Easter and Lent:

Easter and Pentecost are about our death and resurrection in Christ today, our passover from death to life in his passover, through water and the Holy Spirit in baptism. Lent is about our annual retreat, our annual re-entry into the catechumenate and order of penitents in order to reflect on, affirm, remember and re-claim that baptism. (page xii)

I haven't made a study of the classic texts for the admission of unbaptized adults to the historic formation program known as the catechumenate. The Episcopal Church's version is found in The Book of Occasional Services 2003. The rite begins with one question to those who are coming to faith, "What do you seek?" The answer is "Life in Christ" (page 117).

I far prefer the questions now used by the Roman Church for the beginning of the rite-why we use different questions and answers I suspect is more than a matter of translation, but I really don't know why they are different. Their rite begins with the celebrant asking each person, "What is your name?" Then, the celebrant asks, "What do you ask of God's Church?" The answer is, "Faith." Then, "What does faith offer you?" The answer, "Eternal life" (The Rites of the Catholic Church [1976], 41).

Saint Paul writes, "Now that you have been set free from sin and have become slaves of God, the return you get is sanctification and its end, eternal life" (Romans 6:22). The Greek word for 'end,' telos, carries the meaning both of 'end of time' and the 'goal toward which we move.' In the words "faith" and "hope," the Church remembers Jesus' promise that the end of all things (in both senses of telos) is in him, when he will be "all in all" (Ephesians 1:23). The journey to death and resurrection is God's plan for all human life; we make it our own through Christ with memory and with hope.

"The World at Our Fingertips: 23 Beautiful Old Texts, Available Online"

Fantastic! A 10th-Century Iliad! The Magna Carta! The Dead Sea scrolls, if you can believe that! Here: The World at Our Fingertips: 23 Beautiful Old Texts, Available Online - Rebecca J. Rosen - Technology - The Atlantic.

The Internet's collection of old manuscripts is not only growing in size but improving in quality. With a few clicks of the mouse you can zoom in on some of the earliest Hebrew scrolls, the handwritten works of Leonardo da Vinci or Jane Austen, and the first drafts of the Declaration of Independence. The British Library's digital editions include supplemental materials such as translations, explanatory essays, and, in the case of Mozart's notes, audio files of the songs he sketched out. Below, a gallery of some of the best examples of the original manuscripts online.

"The Canticles at Evensong, Together with the Office Responses and a Table of Psalm-Tones"

A nice find at Google Books tonight: "THE CANTICLES AT EVENSONG, TOGETHER WITH THE OFFICE RESPONSES AND A TABLE OF PSALM-TONES: EDITED BY THE REVEREND CHARLES WINFRED DOUGLAS BACHELOR OF MUSIC CANON OF FOND DU LAC." - (The Saint Dunstan Edition)

Here's the link to the book itself, which was published in 1915 (and cost 50 cents).

Below is an iFrame that contains the first page of the Psalm Tone chart; you can scroll through it from this post.



From the Intro:

The following Table of Psalm-tones has been compiled with the purpose of providing greater melodic wealth than is afforded by the Sarum Tonale, while retaining the greater part of the latter in its accustomed order as a basis. To this end, traditional Continental mediations have been added in the forms presented by the Vatican Antiphoner; together with supplementary endings, among which all save the third ending of the fourth Tone are of ancient use, either in England or on the Continent. This exception is a slight modification (made by the Benedictines of Solesmes) of an ancient ending. The additional mediations are distinguished in the Table by the letters B and C; and the solemn mediations for Magnificat by the letter S. Wherever more than a single mediation is given for a Tone, the Sarum form is marked by the letter A. As the numbering of the Sarum endings adopted in recent English Psalters has become widely familiar, it is retained: the additional endings either being substituted for certain of the Sarum set that are practically never used; or else assigned further numbers after the complete enumeration of the Sarum group.

There are more notes at the link. Winfred Douglas is well-known in the Anglican world for his efforts at renewing the chant tradition; here's a bit about him at Cyberhymnal.

While at Syr­a­cuse Un­i­ver­si­ty, Doug­las sang at St. Paul’s Epis­co­pal Ca­thed­ral. He earned his Ba­che­lor of Mu­sic de­gree from Sy­ra­cuse in 1891, then took Ho­ly Or­ders. He moved to Ev­er­green, Col­o­ra­do, for health rea­sons, and be­came an Epis­co­pal priest in 1899. He ed­it­ed the Epis­co­pal New Hymn­al in 1918, and helped de­vel­op the 1940 Epis­co­pal hymn­al as well.

The monastic orders began to revive in England only during the mid-19th Century, fully 300 years after the dissolution of the monasteries by Henry VIII. Winfed Douglas was instrumental in renewing the chant tradition. Here's something about him from the website of the Community of St. Mary East, an Episcopal monastic order from New York:

When the Rev. Canon C. Winfred Douglas became the choirmaster for the Community in 1906, he introduced a new edition of A Manual of Plain Song(4) to the choir, and later his own St. Dunstan Psalter(5). Prior to assuming his new position, he spent time in England, France, and Germany studying early church music. What he always valued most was the course in plainsong given by the Benedictine monks, who, exiled from their home monastery at Solesmes, had taken up residence at Quarr Abbey in the Isle of Wight. In an article for The Catholic Choirmaster published in March 1926, Canon Douglas explained his reasoning for welcoming the opportunity to be choirmaster for the Community of St. Mary.

"Parish Churches are too subject to changing policies with changing rectors for much hope of permanent stability in a musical tradition. It seemed to the writer that seminaries and schools, with their comparatively fixed policies, and above all, religious orders, offered the best field for constructive work... St. Mary's Convent and the group of institutions clustered around it seemed an admirable field for the establishment of a Plainsong tradition."(6)

The transition from modern notation, measured rhythm and polyphonic settings tothe Solesmes method of unison, equi-measured square notation chant presented quite an adjustment for the Sisters. Canon Douglas' patience and skill had them singing

Compline in ten days and the other simple offices over the next weeks. The school girls also learned the chant with the Sisters. Over the years many alumnae returned to Peekskill to sing at major liturgical feasts in St. Mary's Chapel.

The Night Office was first recited in May 1874 from the Neale edition of the Sarum Office(7). On March 12, 1916, a shortened form of the Benedictine Night Hours was introduced(8), and a revision of this came into use Pentecost, June 13, 1943. At Tenebrae and on great feasts such as Christmas, Purification, and Easter, the Night Office was sung in full, adapted from monastic melodies in use in the Latin with local variances since at least the tenth century.