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Showing posts with label byzantine chant. Show all posts
Showing posts with label byzantine chant. Show all posts

Saturday, May 26, 2012

Another Pentecost treat: some lovely Georgian chant.



From the YouTube page:
Troparion of Pentecost, sung by the choir of the convent of Sameba-Jikheti. It can be found on their CD "Chant melodies."

"Blessed art Thou, O Christ our God, Who hast revealed the fishermen as most wise by sending down upon them the Holy Spirit - through them Thou didst draw the world into Thy net. O Lover of Man, glory to Thee!"
I just love Orthodox hymnody! The texts are always splendid. Here's a PDF of the same text (although not, I think, the same music), from the Antiochian Orthodox Christian Archdiocese of North American.

According to OrthodoxWiki:
A Troparion (also tropar; plural troparia) is a type of hymn in Byzantine music, in the Orthodox Church and other Eastern Christian churches. It is a short hymn of one stanza, or one of a series of stanzas; this may carry the further connotation of a hymn interpolated between psalm verses.

The term most often refers to the apolytikion (or "dismissal hymn"), the thematic hymn which closes Vespers. (In Greek churches, the apolytikion troparion is known simply as the apolytikion; in most other churches, it is known simply as the troparion.) This troparion serves as a thematic hymn and is repeated at every service of the day.

Troparia are also found as the stanzas of canons. Such troparia are modeled on the irmoi of the ode.

Troparia are also sometimes used as refrains for chanted psalm verses, though stichera more often serve this function.
Another kind of hymn is the Kontakion:
A Kontakion (also kondakion, kondak, and kontak; plural kontakia, kondakia) is a type of thematic hymn in the Orthodox Church and other Eastern Christian churches. Originally, the kontakion was an extended homily in verse consisting of one or two proemia (preliminary stanzas) followed by several strophes called oikoi (also ikoi; singular oikos, ikos), usually between 18 and 24. The kontakia were so long that the text was rolled up on a pole for use in the services -- the genesis of the name kontakion, which means "from the pole" in Greek. It is typical of the form that each of the proemia and strophes end with the same refrain. Acrostics are also a hallmark of this hymnographic form.

In current practice, the kontakion has been greatly abbreviated. Only the (first) proemium and first strophe are sung or read after the sixth ode of the canon at orthros. The proemium alone is sung at the Divine Liturgy, following the troparia, and most other services of the daily cycle. The kontakion is not sung at vespers.

According to tradition, Saint Roman the Melodist wrote the first kontakion, the Kontakion for the Birth of Our Lord, by divine inspiration. Legend aside, Roman established the kontakion in the form it retained for centuries, and he is the most famous composer of kontakia.

Tuesday, March 27, 2012

The first song on this video is a beautiful "Lazarus Saturday & Palm Sunday Troparion" - and it includes some interesting theology! ("By raising Lazarus from the dead before Thy passion, Thou didst confirm the universal resurrection, O Christ God!"). The singer is Vassilis Hadjinicolaou - he may also be the composer/arranger, I'm not sure - and this song is followed by two others: "Six days before the Feast of Passover" and "Behold the Bridegroom." They all come from a recording called "Holy Week."


Here's a page about this recording at Liturgica.com; here's the blurb there about it:

Holy Week is the fourth recording to appear under the general title Byzantine Music in the New World. It is an effort to place the Byzantine musical tradition of the Orthodox Church within an English-language context and it is directed mainly to English-speaking Christians around the world. The composer and performer, Vassilis Hadjinicolaou, is a talented musician who hails from Thessaloniki (Greece) and who resided for many years in Montreal (Canada). While there, he witnessed the great need amongst North American Orthodox for a Byzantine musical expression in their own language. This recording features selections from Holy Week (the week between Palm Sunday and Pascha or Easter) sung in traditional Byzantine melodies.

He's great, isn't he?

Here's a page from OCA.org about Lazarus Saturday and Palm Sunday, plus an excerpt:

The week following the Sunday of St Mary of Egypt is called Palm or Branch Week. At the Tuesday services of this week the Church recalls that Jesus’ friend Lazarus has died and that the Lord is going to raise him from the dead (Jn 11). As the days continue toward Saturday, the Church, in its hymns and verses, continues to follow Christ towards Bethany to the tomb of Lazarus. On Friday evening, the eve of the celebration of the Resurrection of Lazarus, the “great and saving forty days” of Great Lent are formally brought to an end:

Having accomplished the forty days for the benefit of our souls, we pray to Thee, O Lover of Man, that we may see the holy week of Thy passion, that in it we may glorify Thy greatness and Thine unspeakable plan of salvation for our sake. ...(Vesper Hymn)

Lazarus Saturday is a paschal celebration. It is the only time in the entire Church Year that the resurrectional service of Sunday is celebrated on another day. At the liturgy of Lazarus Saturday, the Church glorifies Christ as “the Resurrection and the Life” who, by raising Lazarus, has confirmed the universal resurrection of mankind even before his own suffering and death.

By raising Lazarus from the dead before Thy passion, Thou didst confirm the universal resurrection, O Christ God! Like the children with the branches of victory, we cry out to Thee, O Vanquisher of Death: Hosanna in the highest! Blessed is he that comes in the name of the Lord! (Troparion).

Christ —the Joy, the Truth and the Light of All, the Life of the world and its Resurrection—has appeared in his goodness to those on earth. He has become the Image of our Resurrection, granting divine forgiveness to all (Kontakion).

At the Divine Liturgy of Lazarus Saturday the baptismal verse from Galatians: As many as have been baptized into Christ have put on Christ (Gal 3:27) replaces the Thrice-holy Hymn thus indicating the resurrectional character of the celebration, and the fact that Lazarus Saturday was once among the few great baptismal days in the Orthodox Church Year. Because of the resurrection of Lazarus from the dead, Christ was hailed by the masses as the long-expected Messiah-King of Israel. Thus, in fulfillment of the prophecies of the Old Testament, he entered Jenrsalem, the City of the King, riding on the colt of an ass (Zech 9:9; Jn 12:12). The crowds greeted him with brancfies in their hands and called out to him with shouts of praise: Hosanna! Blessed is he who comes in the name of the Lord! The Son of David! The King of Israel! Because of this glorification by the people, the priests and scribes were finally driven “to destroy him, to put him to death” (Lk 19:47; Jn 11:53, 12:10).

The feast of Christ’s triumphal Entry into Jerusalem, Palm Sunday, is one of the twelve major feasts of the Church. The services of this Sunday follow directly from those of Lazarus Saturday.

Palm Sunday for the West is this Sunday, April 1 - but in the East it's on our Easter day, April 8.