Stile Antico offers a really lovely rendition of this Thomas Campion piece from the 16th Century; it's a great sad and beautiful song - perfect for October and November. And it's church music, or not, as you wish; see the interesting note about "the wealth of Tudor and Jacobean sacred music written for domestic devotion, rather than for church worship" below. It's not an easy song to sing this well, either.
From the YouTube page:
I really like this arrangement, played by "three musicians from Salzburg," too (although I miss the wonderful harmonies of the original)!
Stile Antico offers a really lovely rendition of this Thomas Campion piece from the 16th Century; it's a great sad and beautiful song - perfect for October and November. And it's church music, or not, as you wish; see the interesting note about "the wealth of Tudor and Jacobean sacred music written for domestic devotion, rather than for church worship" below. It's not an easy song to sing this well, either.
Never weather-beaten sail more willing bent to shore.
Never tired pilgrim's limbs affected slumber more,
Than my wearied sprite now longs to fly out of my troubled breast:
O come quickly, sweetest Lord, and take my soul to rest.
Ever blooming are the joys of Heaven's high Paradise.
Cold age deafs not there our ears nor vapour dims our eyes:
Glory there the sun outshines whose beams the blessed only see:
O come quickly, glorious Lord, and raise my sprite to thee!
From the YouTube page:
Stile Antico (joined by Fretwork) explores a long-neglected repertory -- the wealth of Tudor and Jacobean sacred music written for domestic devotion, rather than for church worship. Culled from collections intended for use in private homes, these pieces by Tomkins, Campion, Byrd, Tallis, Dowland, Gibbons and others, offer a unique insight into the turbulent religious climate of the time and the thriving musical culture at its heart.
"An ensemble of breathtaking freshness, vitality and balance" (The New York Times)
I really like this arrangement, played by "three musicians from Salzburg," too (although I miss the wonderful harmonies of the original)!
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